The Conveyance of Emotion in the Writing of Zora Neale Hurston Essay

The Conveyance of Emotion in the Writing of Zora Neale Hurston Sharpening Her Oyster jab I am non tragically colored. There is no enceinte sorrow dammed up in my soul, nor lurking behind my eyes. I do non mind at all. I do not belong to the whoreson school of lightlessnesshood who hold that nature somehow has given them a lowdown wicked deal and whose feelings are all hurt round it....No, I do not weep at the world -- I am as well as busy sharpening my oyster knife. ___Zora Neale Hurston Zora Neale Hurston kept busy sharpening her oyster knife not to prepare for any violent confrontations with white society but quite a the opposite, to extract the raw materials from her own culture and cultivate them into priceless treasures. To Hurston the Negro was always in vogue (Hughes). She didnt wait for the white culture to attribute its stamp of approval on the subject matter she knew and loved so well. In her well-k nown essay, How It Feels to Be Colored Me, Hurston makes reference to societys view of her a the granddaughter of slaves It is quite exciting to hold the center of the national stage, with the spectators not learned whether to laugh or to weep. Hurston must have felt that way about her writing also she threw it out there and let the audience do with it what they willed. Sometimes we laugh sometimes we cry. But humor always hovers near in all of her writing and serves as the emotional salvation call for to compensate for the often heavy subject matter (Fauset, 166). Throughout Their look Were Watching God, Hurston indicates that to refuse ones heritage is cultural suicide, and the loss of laughter represents an archeozoic symptom. In the novel, throug... ...w York HarperCollins, 1995. Hurston, Zora Neale. The Gilded Six-Bits. ZNH The Complete Stories. Hurston, Zora Neale. Their Eyes Were Watching God. New York J. B. Lippincott Company, 1937. Jones, Gayl. breakage Out of the Conventions of Dialect. Zora Neale Hurston Critical Perspectives gone and Present. Eds. Henry Louis Gates, Jr. and K. A. Appiah. New York Amistad, 1993. Lowe, John. Cast in Yo Nets Right Here Finding a Comic Voice. Jump at the Sun. Urbana and gelt University of Illinois Press, 1994. Miller, Rachel. Narrative Strategy in Hurstons Sweat. http//www.as.wvu.edu/ginsberg/sweat.htm Wall, Cheryl A. Zora Neale Hurston Changing Her Own Words. Zora Neale Hurston Critical Perspectives Past and Present. Eds. Henry Louis Gates, Jr. and K. A. Appiah. New York Amistad, 1993.